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A seminal example of this is the 1970 film Gimme Shelter , which chronicled the Rolling Stones' 1969 US tour. While it documented a rock tour, it inadvertently captured the violent death of the 1960s counterculture ideal at the Altamont Speedway. It forced audiences to acknowledge that their idols were not just musicians, but figures whose decisions had fatal consequences. Similarly, Terry Gilliam’s Lost in La Mancha (2002) stripped away the glamour of filmmaking to show a director crushed by the weight of logistical failure. These films did not preserve the myth; they shattered it, proving that the "dream factory" was actually a high-stakes environment prone to chaos and disaster. It forced audiences to acknowledge that their idols

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