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Restate thesis: Lord of War exposes how the arms trade is embedded in global political economy and moral systems that enable violence under the guise of legality and profit. The film combines satire, drama, and documentary aesthetics to implicate not just dealers but states, corporations, and consumers. Its greatest strength is forcing viewers to confront systemic complicity; its weakness lies in occasional representational flattening. Ultimately, it remains a potent critique relevant to debates on arms control and the ethics of commerce in violence.
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