As Bestas Rodrigo Sorogoyen (2024)

Film Review — As Bestas (The Beasts) | Simon Dillon Cinema

Debuted in the Cannes Première section in 2022, where it was hailed for its taut direction. Resistance: A Journal of Radical Environmental Humanities as bestas rodrigo sorogoyen

: Critics have noted the film's exploration of "masculine values and patriarchal norms," often comparing its tension to classics like Straw Dogs Deliverance Eco-Politics Film Review — As Bestas (The Beasts) |

The sound design is a masterwork. The mooing of distant cows, the screech of a woodcutter’s saw, the howl of the wind through the eucalyptus trees—these are not background noises; they are the weapons of psychological warfare. The turbines were to be planted on the

The turbines were to be planted on the hill known as A Besta —The Beast. For the villagers, the turbines meant salvation: a payout, a future for their children who had all fled to Vigo or Madrid. For Antoine, they meant the death of the wild, the industrial scar on the last breathing lung of the mountain.

In a stunning sequence, Olga walks into the local municipal office and, in perfectly articulated Galician (a dialect she previously struggled with), systematically dismantles the brothers' alibi. The final confrontation is not a shootout in a barn, but a wiretap in a police station. Sorogoyen suggests that civilization’s most powerful weapon isn’t brutality—it is patience and intelligence. The ending is ambiguous, gut-wrenching, and deeply satisfying in its moral complexity.

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