Encounters At The End Of The World Portable

One cannot write about Encounters at the End of the World without discussing the sensory experience. The film’s soundtrack, composed largely of cello work by Ernst Reijseger, is haunting. It sounds like a church choir drowning underwater.

Elias plugged his headset into the port. He expected static, or perhaps the grinding of ice against rock. Instead, he heard a rhythm. It sounded like breath. Slow, deep, mechanized breath. Encounters at the End of the World

, is far from a typical nature film. Rather than focusing on penguins or ice formations, Herzog explores the eccentric human community One cannot write about Encounters at the End