Aleksandra Cwen delivers a raw, often wordless performance that anchors the film. Albrun is not immediately sympathetic in a conventional sense; she’s stubborn, sullen, and socially ostracized. But through Cwen’s physicality and muted expressions, Feigelfeld invites identification with her vulnerability and increasing isolation. Supporting performances — notably the hostile villagers and Albrun’s ambiguous mother — flesh out a community that oscillates between cruelty, fear, and religious fervor.
This piece is a reflection of the mystical and enigmatic figure of Hagazussa, a witch or sorceress from ancient cultures. I hope you enjoyed it! Hagazussa
With a wave of her staff, the wind begins to sway, And trees lean in, to hear her incantations say. The creatures of the forest, gather 'round her feet, Entranced by her wisdom, and the secrets she'll repeat. Aleksandra Cwen delivers a raw, often wordless performance
The narrative explores Albrun’s mental deterioration as she faces extreme loneliness and social persecution from superstitious villagers. Superstition vs. Reality: With a wave of her staff, the wind
The film is divided into four distinct chapters: Shadows , Horns , Blood , and Fire . 2. Themes of Trauma and Isolation
