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Where the film excels is in its raw material. Watching grainy backstage footage of a 1999 boy band meltdown, or the actual memo from a studio head slashing a director’s finale, is riveting. The sound design drops you into chaotic editing bays and screaming award-show green rooms. For five minutes in the second act, when a former talent agent describes the “poverty of the pitch meeting,” the documentary achieves something close to art. Don't try to cover the history of Warner Bros