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"Where are we going?" she asked, shouting over the engine’s growl.

In Malaysian cinema and literature (such as the influential 1995 film Bohsia ), romantic narratives involving this subculture typically follow specific arcs: "Where are we going

A recurring theme in these progressive storylines is the "Miracle Man" complex. The male lead discovers her past. In old narratives, he would slap her and leave. In new "lepas" narratives, he struggles. He is jealous of ghosts from her past. He fears what his mother will say. The romantic arc is not about saving her, but about him seeing her as a human being with a past, not a broken toy. "Where are we going?" she asked