Unlike many traditionalists who resisted formalization, Granados saw that notation and theory could coexist with duende (the mysterious spirit of flamenco). His magnum opus, the published by Music Print Madrid , is the result of decades of deconstructing the language of flamenco into a digestible, progressive system.
Inspired by the master's playing, Juan took up his own guitar and began to play a simple, yet heartfelt, compás. Granados smiled, his eyes shining with pride, and encouraged Juan to continue.
Would you like a list of Manuel Granados' publications?