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Malayalam cinema has addressed various social issues, including poverty, inequality, and corruption. Films like "Panchagavya" (2010) and "Uzameerum" (2012) have tackled complex issues like casteism and communalism, sparking conversations and debates. The industry has also promoted social reform, with films like "Sree Narayana Guru" (1986) highlighting the contributions of social reformers like Sree Narayana Guru.

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Consider the backwaters. In the 2021 Oscar-shortlisted Jallikattu , director Lijo Jose Pellissery turns a buffalo’s escape into a primal, chaotic descent into collective madness. The muddy streets, the thatched roofs, the dense rubber plantations—these aren’t just settings. They are agents of the plot. The environment itself becomes antagonistic, slippery, and labyrinthine. This is not a Bollywood version of a village; this is Kerala as Keralites know it: humid, messy, beautiful, and suffocating. Reflections of Society: Exploring the Sociology of Malayalam

With the rise of OTT platforms, Malayalam cinema has also begun dissecting the Pravasi (expat) culture. Kerala has a massive diaspora in the Gulf, the US, and Europe. Films like Nayattu (2021) and Jana Gana Mana (2022) explore how caste and politics follow Keralites even into the digital age. Meanwhile, Hridayam (2022) explored the engineering college culture—a specific rite of passage for the urban Malayali youth—with obsessive detail about ragging , college arts festivals , and the canteen politics . They are agents of the plot