Gainsbourg’s character ("She") collapses in grief. Dafoe’s character ("He"), a cognitive-behavioral therapist, unprofessionally takes over her treatment.
The film's cinematography is noteworthy, with a use of vivid colors and disturbing imagery. The forest setting, which is often associated with feelings of isolation and confinement, adds to the sense of unease and foreboding. movie antichrist 2009
The central argument against the film is that it validates the idea of the "hysterical woman"—that female grief is inherently dangerous and that women are closer to violent, savage nature than men. Von Trier feeds this fire in the film’s epilogue, where hundreds of faceless, unnamed women march toward the male protagonist as he lays wounded. Gainsbourg’s character ("She") collapses in grief
The film is a Rorschach test. Is von Trier a misogynist? The film’s thesis—that “nature is Satan’s church” and that female nature is inherently evil—is horrifying. Yet, the film is filtered through the mind of a woman who believes this about herself. The true villain is not “woman” but the idea of female evil that has been projected onto her by history (the witch trials). She internalizes this hate, and it destroys her. The film is less a misogynist tract than a horror film about the consequences of misogyny. The forest setting, which is often associated with
Have you seen it? Are you brave enough?