Before dissecting the text, we must understand the architect. Yoko Ogawa (born 1962) is one of Japan’s most celebrated contemporary novelists. Unlike the grotesque horror of Junji Ito or the magical realism of Haruki Murakami, Ogawa’s terror is clinical . She writes about ordinary people—housewives, scientists, students—who inhabit sterile, orderly worlds where something is profoundly, inexplicably wrong.
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The opening of The Diving Pool is a masterclass in unreliable narration. From the very first paragraph of Part 1, Ogawa creates a dissonance between the sterile beauty of the setting and the rot inside the narrator’s psyche. Before dissecting the text, we must understand the architect