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In Kumbalangi Nights (2019), the dysfunctional brothers bond over a raw fish they catch in the brackish water, signaling their primal connection to the land. In opposition, the middle-class family next door prefers processed, packaged goods. In The Great Indian Kitchen (2021), the act of grinding coconut and cleaning fish bone by bone becomes a suffocating metaphor for patriarchal drudgery. The film sparked actual political debates in Kerala about domestic labour—something a Bollywood or Hollywood film rarely achieves.

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In the 1980s, Yavanika (1982) exposed police brutality so realistically that it sparked public debate. In 2013, Drishyam (and its recent sequel) turned a common cable-TV operator into a folk hero who uses cinematic literacy (his knowledge of editing and alibis) to outsmart the law. The film inadvertently taught a generation of Keralites the power of narrative manipulation. In Kumbalangi Nights (2019), the dysfunctional brothers bond