One weekday, while working on a construction site, François meets Émilie (Marie-France Boyer), a postal clerk. They begin an affair. François falls in love with Émilie but finds that his love for her does not diminish his love for Thérèse. He considers his life to be fuller, possessing a "surplus" of happiness.
The story follows François, a carpenter who lives in idyllic happiness with his wife, Thérèse, and their two children. François is so full of "happiness" that he decides he has enough to share, beginning a seamless affair with a postal worker named Émilie. In his mind, he hasn’t betrayed his wife; he’s simply added another flower to his garden. Subverting the Gaze le bonheur 1965
, which reinforces the film’s deceptive surface of classical harmony. 4. Legacy and Reception One weekday, while working on a construction site,
A crucial detail often overlooked in discussions of "le bonheur 1965" is that the Drouot family were a real family. Jean-Claude Drouot and Claire Drouot (born Claire Prado) were married in real life, and the two children in the film are their actual children. Varda chose them specifically to blur the line between fiction and documentary. He considers his life to be fuller, possessing