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The zombie genre has long been a staple of horror cinema, evolving from the voodoo-centric narratives of the 1930s to the viral apocalypse scenarios popularized by The Walking Dead and 28 Days Later . In this crowded landscape, Zombie Tidal Wave attempts to carve out a niche by combining the tropes of the zombie outbreak with the disaster film. Released in a television landscape dominated by high-budget prestige horror, the film returns to the B-movie sensibilities of the 1950s and 60s—specifically the "nature strikes back" subgenre. This paper explores how the film utilizes its aquatic setting to differentiate itself from land-locked zombie narratives and how its self-aware campiness functions as a stylistic choice rather than a flaw.

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