was a man of simple pleasures, working as an usher at a local cinema in Chennai. He spent his days tearing tickets and his nights dreaming of a grand romance. His constant shadow was Parthasarathy
This story is often subtitled to capture the nuance of the Tamil dialogue. The title Oru Kal Oru Kannadi serves as a metaphor for the two types of people in the world (and in the family):
was a man of simple pleasures, working as an usher at a local cinema in Chennai. He spent his days tearing tickets and his nights dreaming of a grand romance. His constant shadow was Parthasarathy
This story is often subtitled to capture the nuance of the Tamil dialogue. The title Oru Kal Oru Kannadi serves as a metaphor for the two types of people in the world (and in the family):