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While the rest of India discovered caste through Article 15 , Malayalam cinema had been dissecting its own savarna (upper caste) anxieties for years. Kireedam (1989) showed how a lower-middle-class family’s obsession with "respectability" destroys a son. Perumazhakkalam dealt with religious communalism.

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Kerala’s ritualistic and performative traditions are woven authentically into cinema: While the rest of India discovered caste through

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: Modern filmmakers are pushing boundaries with technical finesse and bold, experimental storytelling that still feels distinctly "Kerala".